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Light Reflectance Values and Paint Color
LRV – You may have noticed these three letters before; on the back of a paint color strip or noticed an entire column dedicated on precious few square inches of space available in the index of paint fandecks. What do those letters stand for? What does the LRV number mean and how is it used?
It is rather simple. Read on and you will learn that paying attention to a color’s LRV can prevent poor wall color selections by helping you determine and evaluate certain characteristics of a color before you even buy a sample.
What does it mean?
LRV is an acronym that stands for Light Reflectance Value. As mentioned, LRV can be found on the back of most color chips and in the index of all major brands’ fandecks. Value is often confused with the term intensity. Intensity is about vividness or dullness – is the color clear or muted. Value is an important term used in color and it speaks strictly to the lightness or darkness of a color.
What is it?
Light Reflectance Value (LRV) is the total quantity of visible and useable light reflected by a surface in all directions and at all wavelengths when illuminated by a light source. 
LRV is a measurement that tells you how much light a color reflects, and conversely how much it absorbs. LRV runs on a scale from 0% to 100%. Zero assumed to be an absolute black and 100% being an assumed perfectly reflective white. An absolute black or perfectly reflecting white does not exist in our everyday terms. Approximately speaking, the average blackest black has a LRV of 5% and the whitest white 85%. Some yellows can measure up into the 80′s or 90′s as well.
How do color pros use LRV?
Color consultants, architects, and designers use LRV data in several stages of color planning. Many examples can be found in the workplace. Careful planning for proper visual ergonomics is paramount in color design for a variety of environments: from individual work surfaces to the outside walkways, ramps, and hand-railings and everything in between. From a sustainability point of view, a wall color with a higher LRV can go a long way in supporting lighting plans by helping to propagate daylight deeply into the space. Thereby reducing the standard number of lighting fixtures required to enable employees to efficiently and safely perform their tasks.
How can homeowners use LRV to choose paint colors?
Most important for the do-it-yourselfer at home is to refer to color specifications for exterior products. For example, vinyl siding. Painting vinyl siding with a color that has too low of an LRV, that absorbs too much light and energy and thus retains too much heat, could result in warped siding. Some paint manufacturers have developed special formulations for painting heat-sensitive exterior surfaces and they offer diverse color choices. However, if you do not use one of those specially formulated products, you are limited to a paint color that is within the same LRV range as the original color in order to prevent warping and voiding any warranties.
Moving to interior color planning, LRV provides a reference as to how light or dark a color could look and feel once up on all the walls in a room. Keeping in mind that LRV runs on a scale of 0% to 100%, 50% would be a mid-value paint color. Fifty percent LRV is a commonly used guideline for residential interior wall colors.
Below the mid-point of 50%, and you know the color will tend to be darker absorbing more light than it will reflect back into the room. Thus, an interior lighting plan that accounts for the darker paint color should be a priority.
Colors with LRV higher than 50% will be lighter and will reflect more light back into the room than is absorbed.
When sampling paint colors, paying attention to Light Reflectance Values as you try different hues, tints, tones and shades creates benchmarks that can assist you in arriving at color selections quickly and efficiently.
What are the precautions?
It is true that LRV communicates a lot about a potential wall color, possibly provides even more of a sense of the color than those very small color chips – and we all know the issues with relying on just the small color chips.
LRV refers to the percentage of light reflected by the paint color regardless of how much light is present. The LRV number is a measurement, a piece of data and is one of the few things about a color that is a consistent factor. No matter from what direction the natural light enters a room, no matter what reflection of color you get from the other elements in the room, no matter what other conditions exist that will affect the context in which the wall color is experienced, the LRV is the LRV. However. . .
LRV can be misleading when it comes to yellow. Yellow is one of the most reflective hues in the spectrum. In addition, the more area it covers it grows more intense exponentially. People err when choosing yellow more than any other color. They end up with a too bright Lemon Chiffon yellow that borders on needing eye protection to enter the room when they really were going for a softer, more muted Buttercream color.
There is a difference between Light Reflectance Value and visual brightness albeit subtle. When choosing yellow wall colors, consideration of visual intensity – how bright or dull the color LOOKS – would be a more prominent consideration than the LRV number.
Summing up LRV
LRV is a guideline. A relative point of reference for predicting how light or dark a color will look and feel once up on the walls. It is not a set standard by which to choose colors, rather an indicator to help you make your best guess – and choosing wall colors is all about guessing.
No one can predict how a color will feel once it is out of the can and on structure. No matter who it is, designer, professional color designer, architect, or your next-door neighbor… they guess. The difference is some people are better guessers than others. What makes some people better paint color guessers than others is a matter of knowledge, taste, and experience.
With your new knowledge and clearer understanding of LRV, you are one-step closer to expertly choosing paint colors that are pleasing and appropriate for the inherent lighting and chosen design style of interior spaces and best suited to exterior applications.
©2005 Lori Sawaya – All rights Reserved






9:55 am on May 25th, 2011
A very clarifying explanation, Lori. In NCS System’s notation this is noted another way, but I think this is the same concept. I hadn’t thought about LRV as a helpful concept to lighting design.
I see you have my blog in your blogroll, I hadn’t noticed. So thank you very much, I’m honored!
10:00 am on May 25th, 2011
Excellent article Lori! Will bookmark this for future reference. I am no color expert so every time I try to explain the difference between value and intensity, clients look at me like I have a third eye. Your explanation is way easier to understand!
xo
amanda
10:02 am on May 25th, 2011
Thanks, Amanda. We’ve talked color before, AB, and I’d say you do pretty darn well with the topic! The podcast we did on lighting is awesome and still gets tons of downloads so others must agree with me!
10:04 am on May 25th, 2011
Oh my pleasure to share your link with the tribe here on Color Budz, Isabel. Love connecting color friends and including blog links is a great way to do that.
NCS does speak to it a lil differently. The NCS is so cool – love how they deconstruct color and explain it. So smart.
10:14 am on May 25th, 2011
As you say, NCS explains a lil differently,so your explanation is the complement that helps me to put all together. NCS notation really helps you understand components in “that” specific hue. I train my eye by watching color chips, trying to notice undertones and then analyze and contrast with the information given in the NCS notation.
Thanks again!
12:39 pm on May 25th, 2011
This is great Lori. An aspect of the color consulting process that isn’t always widely understood. It is helpful to have a source that explains LRV in succinct terms.
Remember that book writing idea! Great Stuff!
2:58 pm on May 25th, 2011
lol! Yes, Debra, I do remember your suggestion of my writing a book. In addition to being an incredibly talented artist, you are also a smart and successful businesswoman – I need to take your advice and put action on it! Thank you for commenting.
9:29 pm on June 23rd, 2011
[...] Reflectance Value) of paint. all black has 0% Light Reflectance Value while all white rates 100%. LRV [...]
12:07 am on June 24th, 2011
Well, maybe. Show me the black with 0% LRV and also the white with 100%. Manufacturer, brand, number, sample, splotch, swatch, puddle – I’m not picky. And just a wee bit of a comment from me while we’re at it: when it comes to color, using definitive qualifiers like “all”, “always” and “every” can get you into discussions you may not have anticipated.
6:59 pm on July 23rd, 2011
[...] Although there is more to the story of heat and energy accume than LRV, this oldie but goodie article of mine explains the LRV part – http://www.colorbudz.com/2010/07/lrv-light-reflectance-value-of-paint-colors/ [...]
1:35 pm on August 17th, 2011
Really succinct post on an great topic. Interestingly, one of our National Galleries in Edinburgh has just painted one of its rooms in a deep charcoal, I suspect to lower the LRV possibly to protect the prints?